Book framing designers need to have extensive cultivation. Without broad and profound cultural qualities, it is impossible to solve the contradictions in the sudden design, and it is impossible to create a level design. The design is fundamentally a concept, and the lack of cultural literacy does not work.
Without cultural accomplishment, there is no creative design. Even if you go to design work, there is often no depth, poor design or low style. The difference between technical training and artistic training will be reflected at this time.
A Finnish book artist once said that framing design is a disciplined fantasy. There is also discipline and madness. The two are the unity of contradiction. Artists keen on ideological and negative discipline are hard to intervene in binding; emphasis on discipline and ignorance of fantasies, framing design has become a trick, it is difficult for the real framing art.
The term “experimental play†facilitates the interpretation of the characteristics of the book art. It is both an issue and a play.
Mr. Lu Xun's designs are commonly used in Chinese stone carvings; Matisse's designs are commonly used in line drawing and paper cutting; Tao Yuanqing's designs are commonly used to decorate and transform characters; Chen Zhifo's designs are commonly used in designs; while Situ Qiao's designs are often used in sketches. Explain that they do not exclude all aspects of knowledge, and can only be creative after eclectic integration.
The hexahedron's book is not appreciated as a sculpture, but is constantly displayed. This is exactly what is said in the construction of Chinese gardens. "There are deep layers and mutual borrowing. There are coherence and continuity in the separation, and there are peeks in the barriers." There is continuity between black and white, continuity between imaginary and actual, and continuity between ambiguity and ignorance.
Some people think that the layout design has no image, not an art. If it is not an art, then it is an art. The text layout is to organically combine the styling elements of those layouts. Choreography is an important issue in graphic design. It uses black and white contrasts, backwards and forwards, shrinking and bloating, and other visual phenomena. The designer acts as the general director, collaborates with each other, strategize, and uses all the means to complete the overall artistic design of a book.
Illustration of the foreign language is Illustration, the origin of the language is "illuminate to make it visible". That is to say, to see things that are invisible or invisible.
Each part has paintings or decorations. Strictly speaking, it does not mean that there is a design, let alone an overall design. This is because it does not have a unified aesthetic concept to regulate, go before and after, and from beginning to end; it is designed to be strategic and hierarchical, so that it has no appearance but no soul.
One actor said: “We are playing other people's stories and tears of their own.†The framing artist is to build his own art hall on the land of the writer.
When we were collecting material, it seemed clumsy and we were clever in designing and using it. For example, use a small prop in the design, sometimes it can explain the story center of an entire book, or reveal the essence of a thing.
The participation of electronic computers in design was originally a good thing. It can promote the modernization of design technology and is a good helper for designers; it can also provide the best choice for design solutions and shorten the publishing cycle. However, some publishers and designers have turned off the initiative of book binding design to the computer. They have forgotten the designer's creativity is the most critical factor in artistic creation. Over time, it will not only reduce the design level of book binding arts, but also reduce the academic level of book binding arts, and weaken the book binding artist's grasp of book decoration art itself. Once this is done, it will inevitably create sardonic, mundane, indecent results.
The binding formats of books vary widely, but as a carrier, their common purpose is to send this full-loaded text ship to the readers.
Without cultural accomplishment, there is no creative design. Even if you go to design work, there is often no depth, poor design or low style. The difference between technical training and artistic training will be reflected at this time.
A Finnish book artist once said that framing design is a disciplined fantasy. There is also discipline and madness. The two are the unity of contradiction. Artists keen on ideological and negative discipline are hard to intervene in binding; emphasis on discipline and ignorance of fantasies, framing design has become a trick, it is difficult for the real framing art.
The term “experimental play†facilitates the interpretation of the characteristics of the book art. It is both an issue and a play.
Mr. Lu Xun's designs are commonly used in Chinese stone carvings; Matisse's designs are commonly used in line drawing and paper cutting; Tao Yuanqing's designs are commonly used to decorate and transform characters; Chen Zhifo's designs are commonly used in designs; while Situ Qiao's designs are often used in sketches. Explain that they do not exclude all aspects of knowledge, and can only be creative after eclectic integration.
The hexahedron's book is not appreciated as a sculpture, but is constantly displayed. This is exactly what is said in the construction of Chinese gardens. "There are deep layers and mutual borrowing. There are coherence and continuity in the separation, and there are peeks in the barriers." There is continuity between black and white, continuity between imaginary and actual, and continuity between ambiguity and ignorance.
Some people think that the layout design has no image, not an art. If it is not an art, then it is an art. The text layout is to organically combine the styling elements of those layouts. Choreography is an important issue in graphic design. It uses black and white contrasts, backwards and forwards, shrinking and bloating, and other visual phenomena. The designer acts as the general director, collaborates with each other, strategize, and uses all the means to complete the overall artistic design of a book.
Illustration of the foreign language is Illustration, the origin of the language is "illuminate to make it visible". That is to say, to see things that are invisible or invisible.
Each part has paintings or decorations. Strictly speaking, it does not mean that there is a design, let alone an overall design. This is because it does not have a unified aesthetic concept to regulate, go before and after, and from beginning to end; it is designed to be strategic and hierarchical, so that it has no appearance but no soul.
One actor said: “We are playing other people's stories and tears of their own.†The framing artist is to build his own art hall on the land of the writer.
When we were collecting material, it seemed clumsy and we were clever in designing and using it. For example, use a small prop in the design, sometimes it can explain the story center of an entire book, or reveal the essence of a thing.
The participation of electronic computers in design was originally a good thing. It can promote the modernization of design technology and is a good helper for designers; it can also provide the best choice for design solutions and shorten the publishing cycle. However, some publishers and designers have turned off the initiative of book binding design to the computer. They have forgotten the designer's creativity is the most critical factor in artistic creation. Over time, it will not only reduce the design level of book binding arts, but also reduce the academic level of book binding arts, and weaken the book binding artist's grasp of book decoration art itself. Once this is done, it will inevitably create sardonic, mundane, indecent results.
The binding formats of books vary widely, but as a carrier, their common purpose is to send this full-loaded text ship to the readers.